JGRZINICH – Phase Inversion

Among the genuine masters of this game, acquired Estonian John Grzinich gives a showing of his strength with a gorgeous accumulation of drones and found objects, the latter mostly verging on the softly metallic/distantly clattering side of concreteness. The record presents exactly what was expected, this commentator well acquainted with a good number of the artist’s past releases (published on the best labels in this field, from Cut to Sirr, to Elevator Bath – you name it, he’s been there); yet there’s something distinguishing his work which is called class. I don’t know how to explain it, this has probably to do with a deeper perception of the vibrating particles of a particular source, or the shape of a chosen environment, or maybe just comes from a highly developed inner ear. A Jgrzinich drone sounds dissimilar from a regular buzzing hum: it appears more like the layering of a thousand desolate murmurs bathed in amniotic liquid.

The static façade hides hundreds of inherent movements, muted throbs, sub-harmonic changes that nevertheless make the whole sound as an immobile stifled choir, silently spreading resonances which, in conjunction with the dissipating energies represented by those faraway rattles and clangs, represent a memento of how to behave ourselves in front of the vague, a symbol of the unconcern we should always demonstrate when the worst is approaching, be it the fear of an uncertain future or the sheer notion of death. Perhaps a record like Phase Inversion could help someone to get in touch with that inside dimension which is inevitably left aside when one is intent in “living” by filling the brain with figments of imagination and innumerable illusions, only to be given a final bill at the end, still ill-equipped and even more frightened.

In actual fact, life itself is a phase inversion. On the contrary, many people are convinced of giving lessons to others, not realizing that what they believe to have “invented” is just the chewed-up remnant of a truth that everybody sees in a wholly individual way – all of them completely wrong – and that will finally rape everyone’s abstruse beliefs concerning human evolution and a presumed afterlife – not to mention reincarnation – except for the obvious transformation of the corporal matter into food for worms (or ash, if you’re sophisticated enough) and energy into some substance that might be useful or less, according to the quintessence of that erstwhile “being”.

Mystery Sea

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