Subtle Lip Can is a trio comprising percussionist Isaiah Ceccarelli, guitarist Bernard Falaise (of Miriodor renown) and violinist Josh Zubot. This CD, their debut release, stands among those albums instantly calling for a second, a third and perhaps a fifth listen after the first. The reasons are manifold, and all positive. Firstly, the practical impossibility of comparisons (although a few glimpses did remind yours truly of early Curlew, the Tom Cora era to be precise). Then, the brilliance with which the improvisers manage to defy anticipation by utilizing hundreds of different timbral characteristics – often contrasting – thus rendering the palette much more abundant and richly textured than one could expect by mentally picturing only three men at work. The sonic milieus are varying and constantly intriguing: raucous dronage, clattering raspiness, incendiary screeching, tickling repetition, over-charged lyricism, pungent dissonance. The musicians look for alternative methods to imperil calmness, without caring about hypothetical aesthetical judgements. This no-frills attitude keeps things on the scorching side of the matters, warranting 43 minutes of interplay that manages to distill juices even in the shrivelling components. It’s good to see someone who does not accept subservience to the improvisation market’s current laws; here’s hoping that we’ll hear again soon from such an unexampled unit.