MASSIMO RICCI. TOUCHING EXTREMES.

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ARCHIVES 2001-2008, WARTS AND ALL
CONTACT, INSTRUCTIONS AND FAIR WARNINGS
CRITICISM IN SOUND ART
IDEOLOGY OF WASTED TIME
OH NO, NOT HIM AGAIN!

Monthly Archives: October 2013

NOAH CRESHEVSKY – The Four Seasons

October 31, 2013

PHILL NIBLOCK – Touch Five

October 27, 2013

JAMES MCVINNIE – Cycles

October 25, 2013

JOHN TILBURY & OREN AMBARCHI – The Just Reproach

October 20, 2013

GLORIA COATES – At Midnight

October 14, 2013

FREDI PRÖLL / UDO SCHINDLER / ULI WINTER – Schi.Va – Live 24.11.2010

October 9, 2013

TOTEM> – Voices Of Grain

October 4, 2013

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LOOKING FOR A REVIEW? TRY YOUR LUCK HERE, OR IN THE “ARCHIVES 2001-2008, WARTS AND ALL” SECTION.

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SUBSCRIBE TO TOUCHING EXTREMES, A TIME-HONORED BLOG WHOSE REVIEWS HAVE STARTED TO GRADUALLY DISAPPEAR FROM THE SEARCH ENGINES IN ACCORDANCE WITH VARIOUS TYPES OF WORN-OUT CONSPIRACY THEORY (WHICH MIGHT OR MIGHT NOT BE LINKED TO MASSIMO RICCI'S STUBBORN REFUSAL TO ADHERE TO SOCIAL NETWORKS).

Give me your email, receive my reviews. Still, check them online after a while. I might have changed something after the first publishing impulse!

LINKS

ALFRED 23 HARTH
BAGATELLEN REVIEWS BY MASSIMO RICCI
BRAIN DEAD ETERNITY
BRIAN GODDING
KEITH BERRY
MILO FINE
PARIS TRANSATLANTIC
PARIS TRANSATLANTIC REVIEWS BY MASSIMO RICCI
ROLAND KAYN
SO YOU WANNA BE AN "EXPERT" OR – HEAVEN FORBID – AN "ARTIST"?
TEMPORARY FAULT
THE SQUID'S EAR
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TONESHIFT REVIEWS BY MASSIMO RICCI
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ARCHIVES 2001-2008, WARTS AND ALL
CONTACT, INSTRUCTIONS AND FAIR WARNINGS
CRITICISM IN SOUND ART
IDEOLOGY OF WASTED TIME
OH NO, NOT HIM AGAIN!

Recent Posts

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DC – DC
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JEN KUTLER – Disembodied
SIMON THACKER’S RITMATA – Tàradh
SPIRIT / BOB MARSH / JIM RYAN – Hommage To Spirit
CHRISTOPHE MONNIOT & DIDIER ITHURSARRY – Hymnes À L’Amour
SÉBASTIEN ROUX – Quatuor
DAVID LEE MYERS – Prototype Of The Veil
ANNE CHRIS BAKKER – Stof&Geest
A SPIRALE & CHRIS COGBURN – Autocannibalism
PHILL NIBLOCK – Music For Organ
PETER CUSACK – Aral Sea Stories And The River Naryn
REMOTE VIEWERS TRIO – Notes Lost In A Field

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