MASSIMO RICCI. TOUCHING EXTREMES.

Menu

Skip to content
  • Home
  • ARCHIVES 2001-2008, WARTS AND ALL
  • CONTACT, INSTRUCTIONS AND FAIR WARNINGS
  • CRITICISM IN SOUND ART
  • IDEOLOGY OF WASTED TIME
  • OH NO, NOT HIM AGAIN!

HOW TO CURE OUR SOUL – Mare

May 30, 2018

KURT LIEDWART – Mare

May 29, 2018

CARL MICHAEL VON HAUSSWOLFF – Still Life – Requiem

May 25, 2018

ASHER TUIL – Reduplications

May 24, 2018

SEAN CONLY – Hard Knocks

May 21, 2018

SARMISTHA TALUKDAR – Home

May 19, 2018

SCOTT UNREIN – A Rising Space

May 17, 2018

Post navigation

Older posts
Newer posts

LOOKING FOR A REVIEW? TRY YOUR LUCK HERE, OR IN THE “ARCHIVES 2001-2008, WARTS AND ALL” SECTION.

Give me your email, receive my reviews. Still, check them online after a while. I might have changed something after the first publishing impulse!

LINKS

  • ALFRED 23 HARTH
  • BAGATELLEN REVIEWS BY MASSIMO RICCI
  • BRAIN DEAD ETERNITY
  • BRIAN GODDING
  • KEITH BERRY
  • MILO FINE
  • PARIS TRANSATLANTIC
  • PARIS TRANSATLANTIC REVIEWS BY MASSIMO RICCI
  • ROLAND KAYN
  • SO YOU WANNA BE AN "EXPERT" OR – HEAVEN FORBID – AN "ARTIST"?
  • TEMPORARY FAULT
  • THE SQUID'S EAR
  • THE SQUID'S EAR REVIEWS BY MASSIMO RICCI
  • TOUCHING EXTREMES (EARLIER VERSION)
  • YELLERWOOD

Pages

  • ARCHIVES 2001-2008, WARTS AND ALL
  • CONTACT, INSTRUCTIONS AND FAIR WARNINGS
  • CRITICISM IN SOUND ART
  • IDEOLOGY OF WASTED TIME
  • OH NO, NOT HIM AGAIN!

Recent Posts

  • STRAFE F.R. – The Bird Was Stolen
  • SCOTT FIELDS – Burning In Water, Drowning In Flames
  • MKM – teplo_dom
  • STEPHANIE RICHARDS – Fullmoon
  • BRANDON LOPEZ / MATT NELSON / ANDRIA NICODEMOU / GERALD CLEAVER – The Industry Of Entropy
  • JOE TALIA – Tint
  • NAD SPIRO – Sirius Signals
  • HOW TO CURE OUR SOUL – Mare
  • KURT LIEDWART – Mare
  • CARL MICHAEL VON HAUSSWOLFF – Still Life – Requiem
  • ASHER TUIL – Reduplications
  • SEAN CONLY – Hard Knocks
  • SARMISTHA TALUKDAR – Home
  • SCOTT UNREIN – A Rising Space
  • Lesson Zero: Tribute To Glenn Branca

Archives

  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
Blog at WordPress.com.
MASSIMO RICCI. TOUCHING EXTREMES.
Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
Cancel