The very first release in this German label’s catalog is a vinyl comprising a communal effort recorded at Berlin’s Ausland in 2010 for a total duration of less than half an hour (good move, if you ask me: improvisational statements exceeding this time span, if not supported by proven artistry, sound rather boring to this reviewer’s ears). Some of the group’s members have worked – in various guises and projects – with Fred Frith, whose zing-and-jangle ghost looms on the near-entirety of the music. The palette is indeed rich in strings (prepared guitar and zither) but a measure of balance is assured by the presence of flexible sampling, assorted types of electronic device, a theremin and the occasional eruption of Ezramo’s voice, which in “The Creator Has A Masterplan” chatters, roars and laughs wickedly in a cheap embodiment of a possessed version of Shelley Hirsch (forgive me Shelley, for I have sinned). Still, there’s a quantity of lively energy in several of the combinations generated by the participants; inconveniences, malformed chords and twisted tunings become the means for different sorts of charged reverberation, the decentralization of instrumental personality at the basis of a couple of unlawful tracks where getting involved by the complexity of the collective timbral tissue comes easy. All things considered, this LP deserves a number of attentive listens, offering different angles of enjoyment and – why not – fun.
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LINKS
- ALFRED 23 HARTH
- BAGATELLEN
- BAGATELLEN REVIEWS BY MASSIMO RICCI
- BRAIN DEAD ETERNITY
- BRIAN GODDING
- CRITICISM IN SOUND ART
- KEITH BERRY
- LUBOMYR MELNYK
- MILO FINE
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- PARIS TRANSATLANTIC REVIEWS BY MASSIMO RICCI
- ROLAND KAYN
- SO YOU WANNA BE AN "EXPERT" OR – HEAVEN FORBID – AN "ARTIST"?
- TEMPORARY FAULT
- THE SQUID'S EAR
- THE SQUID'S EAR REVIEWS BY MASSIMO RICCI
- TOUCHING EXTREMES (EARLIER VERSION)
- YELLERWOOD
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