NICOLA L. HEIN – The Oxymothastic Objectar

Shhpuma Several analytical perspectives are connectable to this compelling exhibit by German guitarist and philosopher Nicola Leonard Hein. The conceptual drive springs from the introductory notes: in extreme synthesis, an almost total deprivation of the intellectual connotations customarily attributed to the improvisational gesture, in the name of a music revolving “around its own impossibility”. It …

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