I hadn’t listened to a record of non-idiomatic improvisation that captured my interest from start to finish in a long time. Live / Studio, which was recorded by Phil Durrant and Daniel Thompson at London’s Cafe Oto and Cable Street Studios, showcases the inherent resplendence of the tones produced by an octave mandola paired with an acoustic guitar. The way the couple interacts immediately transported us back to the fabulous times we spent listening to experimental guitarists in our early years. You know, when we were all still kids and Derek Bailey, Hans Reichel, John Russell, Fred Frith, Henry Kaiser, and the likes were already there. Essentially, we relived the first encounter with the repudiation of all limitations imposed by predetermined forms.
In the correct hands, two such instruments can become as many palettes as possible. Durrant and Thompson possess not only dexterity but also a keen sense of imagination and hearing. Their non-techniques blend together admirably, creating a sonic philosophy centered on rubbing, shimmering pulsation, sharp spikes and, in general, brilliant timbre – even in environments where it feels like everything is rusted over. Amidst all of this, countless dynamic and rhythmic investigations constantly satisfy this writer’s eternal wish to experience a life devoid of clichés. Either spoken or performed. We are able to enjoy this great music thanks to the remarkable efforts of drummer Emil Karlsen, who’s keeping this vintage label alive and in excellent condition. The acquaintance with these obscure gems is not destined to stop here.
MASSIMO RICCI. TOUCHING EXTREMES. 